Wednesday, January 29, 2020

Smokey City

“The Smokey City, “Hell with the Lid Off”-Pittsburgh at the height of industrialization went by many names that described the pollution that accompanied industrial prosperity. 
“Pittsburgh, 1927”, Elsie Driggs 1895-1992
Whitney Museum of American Art
Elsie Driggs spent her childhood in the smoke filled city of Pittsburgh, and the memory of it followed her through her adult years. Returning to Pittsburgh in 1927, Driggs viewed the steel mills below from her boardinghouse window. Driggs told herself, “This shouldn’t be beautiful, but it is.”

Friday, January 17, 2020

Winter

In art  and music, the  changing seasons have often been used as a metaphor for the journey through life. In  Carnegie Museum of Art’s recent exhibition “ the Art of Possibilities”, a survey of the works of artist Jasper Johns, a series of four etchings produced by the artist in 1987 serve as a reflection of Jasper’s life and career. Each print represents a season and includes the artists portrayal of himself as a shadow amid  a muddle of his belongings and works produced throughout his career.

Throughout his career, Johns has  re-created the American flag in various sizes, colors, and orientation, and the edge of one of these flags is visible at the bottom edge of the print. Simple furniture pieces appear in many of his works, and a wooden chair in the upper left reminds us of them. An arm rotates like the arm of a clock in the lower left, describing aging and the passage of time, but a playful drawing above it of a snowman lightens the mood. A grouping of circles and triangles line the lower edge,  referencing Jasper's interest in reducing forms in nature to basic geometric shapes. As the series of etchings  progress through the seasons, many of these items re-appear, brighter, light, and maybe more hopeful, as we work our way out of winter an into another spring.

Friday, January 3, 2020

It’s Going Around

The flu, that is. News broadcasts remind us to get our flu shot, while skeptics are fearful of potential consequences. The vaccine controversy isn’t new. One of the earliest vaccines for small pox was almost as terrifying as the disease itself.
James Gillray “The Cow Pock-or-the Wonderful Effects of the New Inoculation!”
1802. Hand colored etching,  Morgan Library and Museum 

The Morgan Library and Museum in New York houses over 1,000 prints by English caricaturist James Gillray (1756-1815). Caricature prints became a commercially successful form of political commentary during this turbulent period of the French Revolution and the Napoleonic Wars. 

This etching, entitled “ The Cow-Pock-or-the Wonderful Effects of the New Inoculation!” appeared in 1802 in the publication of the Anti-Vaccine Society. In 1798, English physician Edward Jenner demonstrated that infecting patients with cow pox immunized them from contracting the dreaded small pox. Opposition was immediate, with claims that the procedure was dangerous, unsanitary, and sacrilegious. Gillray makes fun of the public’s anxiety, depicting vaccinated individuals developing bovine characteristics, such as horns and snouts.